Nekrolog 2003

 

Großbritannien erobert die an die Batavische Republik zurückgegebene Kapkolonie nach dem Wiederaufflammen der Kämpfe mit dem napoleonischen Frankreich und dessen Verbündeten zurück und macht sie zur Absicherung des Seewegs nach Indien zur britischen Kolonie.

Vedi le condizioni d'uso per i dettagli. Wonderful collection of 23 dance numbers all texted for various string and wind instrumental groupings. Line-cut of the Königsberg edition.

Inhaltsverzeichnis

Listing of Cornetto series: • FA = Faksimile-Edition Augsburg • FC = Faksimile-Edition Capricornus • FCC = Faksimile-Edition Canto e Continuo.

Official International Online Fan Club. Die offizielle Andrea Bocelli Fan-Site. Ausgabe des Teatro del Silenzio. Die Konzerte, die für Donnerstag, den Juli geplant sind, werden sich der poetischen Interpretation der ältesten stärksten menschlichen Bestrebungen widmen. Das Konzert am Juli ist bereits ausverkauft,. Karten für das Konzert am Juli gehen am 5. Andrea Bocelli - La voce, il cuore. E' la voce che incanta e fa sognare ogni angolo del mondo. Sendung hier noch online bei RaiReplay.

Der offizielle Andrea Bocelli Kalender Wir erinnern daran, dass man sich bei www. Henri Foucault, Paris, Faksimile-Edition Kammermusik des Barock, 3. Faksimile-Edition Kammermusik des Barock, 4. Faksimile-Edition Kammermusik des Barock, 5. Oblong, 31 x 23 cm, pp. Line-cut of the Paris, edition short score. Faksimile-Edition Kammermusik des Barock, 6. Stuttgart, 26 x 37 cm, 25 pp. Faksimile-Edition Kammermusik des Barock, 7 Stuttgart, Line-cut of the Salzburg, edition.

The performance markings in the print are nearly unique for the time—perhaps aids to assist German string players with the idiom of cosmopolitan French dance styles—and include meticulous tempo, dynamic, bowing, and solo-ensemble markings. Wrappers with portfolio in decorative paper. Deliciarum musicalium FKB 8 Deliciarum musicalium. Hardboard in beautiful decorative paper with matching slip case. Amsterdam, Willem van Beaumont Line-cut of the Amsterdam, edition.

The only known print preserving the works of A. Hardbound, with laid paper boards. Stuttgart, Weyrich Rösslin Wrappers, in slipcase covered in marbled paper. Marvellous collection of sacred concerti: Wrappers, in portfolio with marbled paper boards.

Rich collection of sacred concerti for all sorts of vocal combinations: Mainz, Ludwig Bourgeat Oblong, 32 x 20 cm, 28 pp. Halftone of the Amsterdam, edition. Hardbound in decorative paper. Oblong, 25 x 18 cm, 40 pp. Oblong, 32 x 21 cm, 46 pp. Instrumentis ad libitum, zu musicieren Nürnberg, Moritz Endter Wrappers, in marbled paper slipcase. Line-cut of the Dresden, edition. Printed in partbook format: Instrument, Anderes Instrument, Basso Continuo. FKK 10 Verschiedene Gelegenheitskom positionen.

Herrn Georg von der Gröben 3: Herr Barthel Michell Bräutigam 4: Portfolio, with decorative paper boards. Harmonia organica FKK 11 Harmonia organica [in tabulaturam germanicam composita: Praeambula per omnes tonos figurales, II.

One of the first German organ collections to be engraved. Oblong, 23 x 18 cm, 4 partbooks, pp. Line-cut of 2 Petrucci mass volumes, respectively by Agricola and de la Rue Hardbound, in decorative paper, with matching slipcase. Line-cut of the Munich, edition. Printed on the recto pages only, after the original. Hardbound, with decorative paper boards. Line-cut of the Walsh edition, London, Line-cut of the Gregor Ritzsch edition, Leipzig, Sacrae modulationes FKK 16 Sacrae modulationes [quinque et sex vocibus].

Oblong, 33 x 20 cm, 3 parts, pp. Line-cut of the Nicolaus Spieringk edition, Hamburg, Nürnberg, Christoph Gerhard Line-cut of the Daniel Starck edition, Stettin, Mühlhausen, Johann Hüter Line-cut of the Mühlhausen, edition. Oblong, 27 x 21 cm, 94 pp. Laid paper, hardbound in decorative paper boards. Oblong, 27 x 21 cm, 50 pp. Line-cut of the Amsterdam, [] edition. Laid paper, hardbound with decorative paper boards. Salomonis mit fünff Stimmen componiert]. Oblong, 20 x 16 cm, 5 partbooks, 20 pp.

Line-cut of the Königsberg edition. A rare source with 2 settings a5 in mensural notation, respectively by Johann Eccard and Paulus Emmelius. Oblong, 17 x 23 cm, 4 partbooks, pp. Line-cut of the Insbruck, partbook edition. Wrappers with portfolio in marbled paper. Line-cut of the Amsterdam, n. Scored for vln I, vln II, vc, bc.

Line-cut of the Strasbourg, partbook edition vox prima, vox secunda, vox tertia, bassus generalis. An amazingly diverse anthology of sacred motets for 2, 3, and 4 voices, assembled by Johannes Donfried, rector of the Latin School of Rottenburg. Nearly every composer active in the last half of the 16th c. Line-cut of the Strasbourg, partbook edition vox prima, vox secunda, vox tertia, vox quarta, bassus generalis. Allettamenti per camera op. Line-cut of the Roger edition.

Color reproduction of a contemporary ms copy. Offers guidance to students of 17th-c. Hardbound, with cloth spine. Ex Ducali Typographia Campidonensi Line-cut of the Kempten, Theoretical work, organized in two parts, addressed to the music education of young boys; deals with notation, the church modes, simple vocal exercises, and exercises in solmization.

Psalmodiae vesperinae FKM 7 Psalmodiae vespertinae [solemnibus totius anni festivitatibus octonis vocibus, et tam vocum quam variorum instrumentorum usui, accommodatae. München, Nicolaus Heinrich Wrappers, with slipcase covered in marbled paper. FKM 8 Missae octo, novem, decem, undecim, duodecim, tredecim et viginti, tam vocibus, quam variis instrumentis, et basso generali ad organum accommodato.

Line-cut of the Vienna, partbooks. Straus, a native Viennese, was Kapellmeister at the Court from and organist at St. Leichte Praeludia und Fugen Oblong, 33 x 21 cm, 80 pp. Line-cut of the Augsburg, edition. One of the earliest examples in a printed work where the use of the thumb is designated in keyboard patterns.

Hardbound, with handsome decorative paper boards. Oblong, 33 x 25 cm, 63 pp. Line-cut of the Michael Wagner edition, Wrappers, with marbled paper slipcase. Musica super cantum gregor. FKM 13 Musica super cantum gregorianum. Schröter ; Pars secunda: Hardbound, with marbled paper boards; slipcase. Messe brevi a otto voce FKM 14 [Masses a8, op.

Line-cut of the Antonio Pifarri edition, Bologna, Wrappers, with slipcase with marbled paper. Missae concertatae a 6. Line-cut of the Innsbruck, partbooks. Missae duodenis vocibus FKM 16 Missae duodenis vocibus, [cum triplici basso ad organum accommodato].

Liber secundus, Wien, Formica Apparatus musico organisticus FKM 17 Apparatus musico organisticus. Johann Baptist Mayr, Salzburg Color facsimile of the Salzburg, edition.

Kürzlich doch besser gegründete Erweckung unter der Leitter von einen vollkommenen Unterricht zur edlen Choral-Music traumenden Jacob, genaue Reglen untersucht, und mit Fundamenten unterstüzt, zum bessten der in erwhneter Choral-Music sich exerirend - auch die Passiv-Instruction angehende Jungen, allen Fählern vorzubiegen, heraus gegeben].

Oblong, 25 x 17 cm, 90 pp. Line-cut of the Linz, edition. A little known treatise on choral music. Hardbound with decorative paper boards. Exercitationum musicarum FKM 19 Exercitationum musicarum.

Hardbound with marbled paper boards. Prag, Georg Nigrinus Oblong, 18 x 15 cm, 5 partbooks, pp. Line-cut of the Prague, edition. Wrappers, with slipcase in decorative paper. Oblong, 22 x 19 cm, 28 pp. Line-cut of a contemporary manuscript. Color reproduction of a manuscript dated Line-cut of manuscript parts preserved in the library of Kremsmünster Abber in Upper Austria.

Binis, ternis, quaternis, quintus, senisque vocibus concinenda], op. Line-cut of the Salzburg, partbooks cantus 1, cantus 2, altus, tenor, bassus, bc. Psalmi vespertini FKM [24] Psalmi vespertini.

Line-cut of the Venice, partbooks. Wrappers with slipcase in marbled paper. Psalmi FKM 24 Psalmi. Antiphonae, cum adjunctis litaniis B.

Line-cut of the Vienna, partbooks cantus 1, cantus 2, altus 1, altus 2, tenor 1, tenor 2, bassus 1, bassus 2, bc. Collection of sacred music for double choir. Cantici mariani FKM 25 Cantici mariani [septies variati. Stuttgart, 16 x 21 cm, 13 partbooks, pp. Sacra psalmodia FKM 27 Sacra psalmodia [octonis vocibus concinenda].

Stuttgart, 21 x 25 cm, 9 partbooks, pp. Line-cut of the Regensburg, partbooks. Salmi a otto brevi FKM 28 Salmi a otto brevi. Oblong, 28 x 21 cm, 90 pp. Beautiful marbled paper boards. Ad primum salve regina, cum 2.

Hals, Johann Anton Pustätt Kern was Fürstbischöflicher Kammer-Kompositeur in Passau. Wrappers, with portfolio covered in marbled paper. Virginis parentis canticum FKM 32 Virginis parentis canticum.

Line-cut of the Rohrschach n. Venedig, Alessandro Vincenti, Line-cut of the Venice, partbook edition. FKM [34] Sacrosanctum magnae [et intemeratae virginis canticum. Venedig, Giacomo Vincenti, Line-cut of the Venice, partbook edition cantus, alto, tenor, bassus. Messe concertate FKM 35 Messe concertate [a 5.

Venedig, Bartholomeo Magni, Nebst einem Anhange, wie man in alle Töne gehen könne]. Bihler was a German monastic composer; trained in the Minorite monastery in Maihingen, he was a boy soprano at the Benedictine Abbey at Neresheim and in become cathedral organist at Augsburg. Oblong, 23 x 19 cm, 87 pp.

Color reproduction of 2 fascinating manuscripts on the rules of composition—shelfmark L70; one is dated Hardbound with decorative marbled boards. Psalmi integri a 4 vocibus FKM 38 Psalmi integri [a quatuor vocibius concertantibus quatuor aliis accessoriis ad libitum accinendis cum 2, cornet: Oblong, 29 x 16 cm, 40 pp.

Color reproduction of MS L Stift Kremsmünster Austria containing rare examples of monodies with ornaments fully written out on texts by Petrarca and Bembo. Hardboard with art paper boards.

Stuttgart, Paul Treu Teütsch Lautenbuch, FL 1 Teütsch Lautenbuch [darinnenn kunstliche muteten, lieblich italianische, französische, teütsche Stuck fröliche teütsche Täntz Oblong, 21 x 34 cm, pp. Line-cut of the Strasbourg, edition. Intabolatura di liuto FL 2 Il primo libro intabolatura. Il secondo libro intabolatura. Line-cut of the Gardano editions, both issued in Venice, Together with divers new Lessons to each of these Instruments].

Oblong, 20 x 17 cm, pp. Line-cut of three companion methods printed for William Barley, respectively for lute, orpharion, and bandora. Tabulaturbuch auff die Lauten FL 4 Tabulaturbuch auff die Lauten [von Moteten, frantzösischen, welschen und teütschen geystlichen und weltlichen Liedern], Heidelberg, J. Line-cut of the Heidelberg, edition. The intabulations of German lieder include several stanzas of text for each piece.

Hardbound with decorative paper. Delitiae musicae FL 5 Delitiae musicae [sive cantiones, e quamplurimis praestantissimorum nostri aevi musicorum libris selectae]. Line-cut of the Utrecht, edition. Preludes, pavans, passamezzi, galliards, etc.

Lautenbuch FL 6 Ein newgeordent künstlich Lautenbuch. Line-cut of the Johan Petreius edition, Nuremberg, , based on the exemplar formerly owned by Johannes Galbleber. Includes additional pieces in manuscript. Oblong, 21 x 16 cm, 95 pp. Line-cut of the Peter Schöffer edition, Mainz, , the earliest printed collection of keyboard tablature.

Harbound with decorative paper boards. Flores musicae; Flores musicae, liber 2 [FL 8] Flores musicae Heidelberg, Voeglin ; Flores musicae a Joannem Rudenium Line-cut of Heidelberg, edition.

An extensive collection, in 2 books, of music for 8-course lute, notated in French tablature. Obong, 21 x 17 cm, 2 partbooks, ; pp. One of the very earliest prints of renaissance lute with works notated in German tablature. Hardbound with decorative paper, with matching slipcase. Oblong, 22 x 17 cm, pp. Line-cut of the edition. Gerle introduces students to the rudiments of playing the renaissance lute, the viol and rebec, including the way they were tuned, held, and played.

Musicologists have called it the first viol tutor. Scherzi armonici FL 11 Scherzi armonici. Alfabeto, with some Italian tablature.

Oblong, 18 x 22 cm, 96 pp. Line-cut of the Louvain, edition, the first edition of this distinguished print. Solo per la gallichone Full-color reproduction of three works of Camerlohr, one for solo gallichone a type of bass lute, and two chamber works. Handstitched folios in portfolio with decorative paper boards and ties. Oblong, 27 x 14 cm, 48 pp. Full-color reproduction a charming MS collection of 20 dance numbers for solo guitar in alfabeto notation.

The title page contains the coat of arms of Domenico Romani who also might be the main scribe. The manuscript comes supposedly from the private library of Dominicus Mettenleiter.

Halftone of Trento Ms. Faksimile-Editionen Psalmen und Motetten, 1. Oblong, 17 x 13 cm, 4 partbooks, c. Collection of vocal or instrumental psalm settings a4 by Josquin, Gombert, Clemens no Papa, and their contemporaries. Hardbound with decorative paper and matching slipcase. Faksimile-Editionen Psalmen und Motetten, 2. Oblong, 25 x 18 cm, 4 partbooks, c. Line-cut of the Lyon, edition.

Collection of 26 vocal or instrumental motets by Gombert, Archadelt, Verdelot and their contemporaries. Thesauri musici tomus quintus FPM 3 Thesauri musici tomus [quintus, et utimus, continens sacras harmonias quatuor vocibus compositas]. Nürnberg, Berg und Neuber. Faksimile-Editionen Psalmen und Motetten, 3. Oblong, 19 x 15 cm, 4 partbooks, c. Collection of 41 vocal or instrumental psalm settings a4 by Clemens non Papa 10 , Crequillon 2 , Galli 2 , Lasso 4 , Riuulo 2 , Vaet 4 , and their contemporaries.

Manuductio FR 1 Manuductio [nova methodico-practica ad bassum generalem, das ist: Neue vortheilhaffte reale Handleitung zu dem General-Bass]. Line-cut of the rare Strasbourg, print.

Ricercar tabulatura FR 3 Ricercar tabulatura. Line-cut of the [Stuttgart], edition. Steigleder engraved the music himself and is credited with being one of the first to use key nomenclature over modal ones. Auck etlich zu sleiten, schwegelen, und an deren musicalisch Instrumenten artlichen zugebrauchten]. Oblong, 15 x 10 cm, 4 partbooks, pp. Line-cut of the Cologne, print. The tenor partbook contains the complete texts of each lied.

Composers include Hofhaimer, Isaac, Rener and Grefinger. Hardbound in decorative paper with matching slipcase. Oblong, 20 x 15 cm, 4 partbooks, c. Hardbound in vegetable vellum, with matching slipcase. Oblong, 26 x 20 cm, , i pp. Gall appears to be the copybook of Johannes Heer, a musician and citizen of Glarus, and student in Paris. Approximately 40 instrumental pieces in fugal style notated in open score for 2 to 4 voices. Consists of fantasies and a large number of chorale preludes with the chorale tune in various positions.

Hardbound, with beautiful marbled paper. Oblong, 20 x 24 cm, 5 partbooks, c. Line-cut of Wolff Seiffert edition, Dresden, Höchst-schätzbares Seelen FR 10 Höchst-schätzbares Seelen-Kleinod hangend an dem stets hell-leuchtenden geistlichen Morgenstern order Zwey schöne geistriche Lieder in einem doppelten einfachen und fugirten Contrapunkt. Line-cut of the Stuttgart, n. Written for soprano, alto, tenor, bass and continuo, only the continuo part for organ reproduced here survive.

FR 11 Fundamenta der Gallichon. Zwölff geistliche Gesänge, op. Wrappers, with hardcover portfolio in marbled paper. Line-cut of the Altenburg, edition. Oblong, 20 x 14 cm, pp. Line-cut of a ms transmitting 56 dance movements in organ tablature. Melos irenicum FR 18 Melos irenicum. Setting of Te deum laudamus. Newe teutsche Liedlein a 5 FR 19 Newe teutsche Liedlein [mit fünff Stimmen, welche den mehrern Theil den Brauch diser Welt beschreiben und anzeigen als nemlich von untrew der Leute von vil zusagen und wenig halten von guten worten und falschem her].

Seconda raccolta de sacri canti FR 20 Seconda raccolta de sacri canti a una, due, tre, e quattro voci de diversi eccellentissimi autori. Sacred vocal settings with basso continuo, 8 a1, 26 a2, 7 a3 and 10 a4.

Bicinia sive duo germanica FR 21 Bicinia sive duo germanica [ad aequales. Oblong, 18 x 15 cm, 2 partbooks, 80 pp. Line-cut of the Bern, edition.

Wrappers in handsome portfolio in marbled paper. Vocal settings with basso continuo, ten a2, six a3 and two a4 plus 2 violins. One piece is by Girolamo Avanzolini and one of the instrumental works is by Massimiliano Fredutii. Scielta FR 23 Ghirlanda sacra [da diversi eccellentissimi compositori de varii motetti a voce sola.

Opera seconda per Leonardo Simonetti]. Oblong, 23 x 11 cm, 2 partbooks, pp. Line-cut of the Gardano edition, Venice, Hardbound with marbled paper boards and matching slipcase. Line-cut of the Walsh edition, London, []. FR 25 Tabulatura continens insignes et selectissimas quasque cantiones. Line-cut of the Frankfurt a. Line-cut of the Laugingen, edition. An important source of German keyboard music from the second half of the 16th c.

Contains 26 motets, 27 popular French, German and Italian songs, 30 dances and 2 canzoni alla francese and numerous passamezzos, saltarellos, pavans, galliards, branles and German dances.

Line-cut of the Leipzig, edition. Additional tablatures have been entered by hand on the front and rear flyleaves. Deutsch, Französisch, welsch und Lateinisch lustig zu singen und auff die Instrument dienstlich von den berhümbtesten diser Kunst gemacht].

Oblong, 18 x 14 cm, 4 partbooks, c. Line-cut of Nuremberg, edition. Wonderful anthology of German secular songs by Isaac, Senfl, Stoltzer. Choice Collection of Ayres.. Oblong, 23 x 18 cm, 24 pp. Line-cut of the John Young edition, London, Narbal da Costa Stencel. Carlos Alberto Etchandy Gimeno Navarro. Philip James Benedict Harvey. Werner von der Ohe. Daniel Toscan du Plantier. Richard Wilberforce, Baron Wilberforce. Maria Hippius Gräfin Dürckheim. Elizeu de Morais Pimentel.

Tom Boardman, Baron Boardman. Harold Scott MacDonald Coxeter. Luis Alfredo Carvajal Rosales. Louis Henri Marie Ferrand. Anthony Stodart, Baron Stodart of Leaston. Burkard Freiherr von Müllenheim-Rechberg. Richard William George Dennis. Georges Christoffel Maria Evers. Georg Henrik von Wright. Kenneth Brian Boyd Cross.